数百年来,油画家们一直在用油画颜料进行绘画,油画颜料因其多功能性、高质量和高质量而在世界范围内继续流行。虽然开始使用油画是相当容易的,但它比丙烯酸树脂要多得多,因为你正在使用有毒溶剂和介质,并且干燥时间更长。已经绘画一段时间的个别艺术家有他们自己喜欢的品牌、画笔、调色板和媒介,但如果你只是从油画开始的话,这里有一些对你有用的一般技巧。小画让你有机会尝试技术和实验的颜色,而不投入太多的时间或材料的过程中。你可以买一些8×10英寸的小帆布或帆布板,甚至可以试着在纸上涂油。(先记住石膏)。在通风良好的地方留出一个空间,在那里你可以把调色板和供应品拿出来,随时准备好,而且你的画可以看见。这会给你机会看到和思考你的工作,即使你实际上不是在画画。它也会使你更容易的绘画过程,这样你会倾向于更频繁地绘画,即使有可能每天。如果你画得很多,你的工作就会迅速提高。这就是艺术创作的实践。购买专业级油漆,你可以负担得起,而不是学生等级。专业级颜料与粘合剂的比例较大。只买几把高品质的刷子,三种不同尺寸的刷子最好先买。你可以买更多,并尝试不同的形状,因为你画更多。你可以使用合成毛刷,丙烯酸油漆,但也有一系列的天然毛刷,可以用油。猪鬃是最常用的刷子。你可以在许多不同的表面进行油漆-帆布,木材,纸张-但是无论你选择哪一种,重要的是在油漆表面涂上一种叫做石膏的底漆,以防止油渗入表面,保护表面不受油漆中的酸的影响,并提供一个表面,使得油漆会更容易粘着。您也可以使用预涂底漆的板或帆布,并应用到其他外套或两个石膏他们,如果你喜欢一个平滑的表面。安培和GeSOBOD是一个很好的光滑耐用的表面工作。主要颜料颜色不是“纯”的,而是倾向于黄色或蓝色,如果倾向于黄色则使它们温暖,如果倾向于蓝色则使它们凉爽。这影响了原色混合如何产生二次色。不要觉得你必须立刻使用你绘画中的所有颜色。从一幅单色画开始,只画一种色调加上它的色调(加上黑色)和色调(加上白色)。你可以使用任何你喜欢的颜色,这取决于你想要冷画还是暖画。这可以让你感觉到油漆。当你准备好了,在你的调色板中加入暖色调和冷色调,以及土色调,如烧焦的辛纳、烧焦的木材和黄色赭石。这是一个由颜色和松节油(或无味松节油替代品,如松节油)组成的薄底漆。这将很快干燥,这样您就可以添加后续的涂料和颜色层,而不必等待太长时间来干燥。不管你是在白色画布上工作,还是先用中性灰色调色它,燃烧的辛纳对于布局值和构图都是有用的。

美国弗吉尼亚大学艺术论文代写:油画颜料

For hundreds of years, oil painters have been painting with oil paints. Oil paints continue to be popular all over the world because of their versatility, high quality and high quality. Although it’s fairly easy to start using oil paints, it’s much more than acrylic resin because you’re using toxic solvents and media and drying longer. Individual artists who have been painting for some time have their own favorite brands, brushes, palettes and media, but if you just start with oil paintings, here are some general techniques that are useful to you. Small paintings give you the opportunity to try out technical and experimental colors without investing too much time or material in the process. You can buy some 8 x 10 inch canvas or canvas board or even try to grease the paper. First remember the plaster. Set aside a space in a well ventilated area where you can take out the palette and supplies, ready at any time, and your paintings can be seen. This gives you the opportunity to see and think about your work, even if you’re not actually drawing. It also makes it easier for you to draw, so you tend to paint more often, even if possible every day. If you paint a lot, your work will improve rapidly. This is the practice of artistic creation. Buying professional grade paint is affordable, not student grade. Professional pigments and adhesives have a large proportion. Only buy a few high-quality brushes, three different sizes of brushes are best to buy first. You can buy more and try different shapes because you draw more. You can use synthetic brushes, acrylic paint, but there are also a series of natural brushes that can be used with oil. Bristles are the most commonly used brushes. You can paint on many different surfaces – canvas, wood, paper – but no matter which one you choose, it’s important to apply a primer called gypsum on the surface of the paint to prevent it from penetrating into the surface, protect the surface from the acid in the paint, and provide a surface that will make it easier to stick to. You can also use pre-primed boards or canvas and apply them to other coats or two plasters if you like a smooth surface. Ampere and GeSOBOD are excellent smooth and durable surfaces. The main pigments are not “pure” but tend to be yellow or blue, warm them if they tend to be yellow, and cool them if they tend to be blue. This affects how the primary color mix produces the secondary color. Don’t feel like you have to use all the colors in your painting right away. Starting with a monochrome painting, only one tone is painted with its tone (black) and tone (white). You can use any color you like, depending on whether you want cold or warm paintings. This will make you feel the paint. When you’re ready, add warm and cold tones to your palette, as well as earth tones such as burnt Sina, burnt wood and yellow ochre. This is a thin primer consisting of colour and turpentine (or tasteless turpentine substitutes, such as turpentine). This will dry quickly so that you can add subsequent coatings and color layers without waiting too long to dry. Whether you’re working on a white canvas or using neutral gray to color it first, burning Sinna is useful for layout values and composition.

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