美国诗人亨利沃兹沃思朗费罗(1807-1882)的Hiawatha之歌在模仿芬兰民族史诗“卡勒瓦拉”的韵律诗中叙述了美洲原住民的传说。反过来,Kalevala与伊利亚特,贝奥武夫和Nibelungenlied等早期叙事相呼应。朗费罗的长诗具有古典史诗的所有元素:高贵的英雄,注定的爱情,神灵,魔法和民间传说。尽管它具有多愁善感和文化刻板印象,但“海华沙之歌”暗示了本土圣歌的难以忘怀的节奏,并建立了独特的美国神话。田园诗是一种起源于古希腊的叙事形式,但这种田园风光是基于英国传说的亚瑟王情色。在一系列十二首空白诗歌中,阿尔弗雷德,丁尼生勋爵(1809-1892)讲述了亚瑟王,他的骑士和他对吉内维尔的悲惨爱情的故事。这部长篇作品来自托马斯·马洛里爵士的中世纪着作。通过撰写关于骑士精神和宫廷爱情的文章,丁尼生寓言了他在自己的维多利亚社会中所看到的行为和态度。国王的田园诗将叙事诗从讲故事提升为社会评论。 “Harp-Weaver的民谣”讲述了母亲无条件的爱情。在这首诗的结尾,她死了从她的竖琴编织她的孩子神奇的衣服。她的儿子引用了母亲的对话,她平静地接受了她的牺牲。美国诗人埃德娜圣文森特米莱(1892-1950)将这个故事描绘成一首民谣,一种从传统民间音乐演变而来的形式。 Iambic米和可预测的押韵方案创造了一种歌唱节奏,暗示着孩子般的天真。由乡村音乐家约翰尼·卡什(Johnny Cash)精心朗诵,“竖琴师的民谣”(The Ballad of the Harp-Weaver)既富有感情又令人不安。叙事诗可以被理解为一个关于贫穷的简单故事,或者是一个复杂的评论,讲述了女性在皇室成衣中穿衣服的牺牲。 1923年,Edna St. Vincent Millay因其同名诗集而获得普利策奖。故事歌曲民谣成为20世纪60年代美国民歌传统的重要组成部分。流行的例子包括鲍勃·迪伦的“瘦人之歌”和皮特·西格的“大浑腰”。

英国坎布里亚文学Essay代写:美国文学

The song of Hiawatha of the American poet Henry Wadsworth Longfellow (1807-1882) describes the legend of Native Americans in the rhythm of the Finnish national epic “Kalevala”. In turn, Kalevala echoes early narratives such as Iliad, Beowulf and Nibelungenlied. Longfellow’s long poems have all the elements of a classical epic: noble heroes, destined love, gods, magic and folklore. Despite its sentimentality and cultural stereotypes, the Song of Haihuasha hints at the unforgettable rhythm of local chants and establishes a unique American myth. Idyllic is a form of narrative that originated in ancient Greece, but this pastoral scenery is based on the legend of Arthur King of England. In a series of twelve blank poems, Alfred, Lord Tennyson (1809-1892) tells the story of King Arthur, his knight and his tragic love for Gineville. This piece is from the medieval work of Sir Thomas Mallory. By writing articles about the knight spirit and court love, Tennyson fables about the behaviors and attitudes he sees in his own Victorian society. The king’s idyllic poetry promotes narrative poetry from storytelling to social commentary. “Harp-Weaver’s folk song” tells the mother’s unconditional love. At the end of the poem, she died from her harp to weave her child’s magical clothes. Her son quoted the mother’s conversation and she calmly accepted her sacrifice. The American poet Edna St. Vincent Millai (1892-1950) portrayed the story as a folk song, a form evolved from traditional folk music. Iambic meters and predictable rhyming schemes create a singing rhythm that hints at the childlike innocence. Carefully recited by country musician Johnny Cash, “The Ballad of the Harp-Weaver” is both emotional and disturbing. Narrative poetry can be understood as a simple story about poverty, or a complex commentary about the sacrifice of women wearing dresses in royal clothing. In 1923, Edna St. Vincent Millay won the Pulitzer Prize for his poetry of the same name. The story song folk song became an important part of the American folk song tradition in the 1960s. Popular examples include Bob Dylan’s “Skin of the Skinny” and Pete Sig’s “Big Skull”.

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